By Julio Godoy
IDN-InDepth NewsViewpoint
BERLIN (IDN) – Back in 1779, the Spanish artist Francisco de Goya painted a scene that obviously was already common at the time in that retrograde country of his: An old man – or it can be an old lady – is beating a child on the bottom in front of numerous other children in a classroom. Some of the children are crying, for they just suffered the teacher’s barbarous pedagogical methods. Goya titled his masterpiece “La letra con sangre entra” – freely translated, “spare the rod, spoil the child.”
